Friday, 4 October 2013

Altar

Occasionally I consider setting up a more formal altar. I sit zazen each day and do have a Buddha figure in the location(s) I sit but I have not set up the usual altar arrangement. Why not? Because despite the help that 'props' of one kind or another can be, at bottom I am not given to formalistic ritual; I am more given to the aspiration to be in meditation not just 'on the cushion' but off it too, to see the world as the altar of my life, my life as the unfolding of a deeper movement of which I might glimpse. I don't want to set up 'out there' or other spiritual places and I find formal altars allegorical. And yet, I notice that I do have in each of the places I regularly sit some setting which represents the divine, a divine here and now, immanent and transcendent. The arrangement and location of altar and the place to sit zazen for me immediately bring to awareness the form of meditation and ask the question 'what is meditation?'; to just sit, to take aim for no target without trying, to notice as much of what is unfolding without becoming, not to reject and not to cling, an open, alert awareness including inside and outside the notion of self and other. Where in this is the altar? Where does the heart mind sit? And if this is a koan on the cushion how much more so in daily life!

We each have our way of being in the world; life's expression of itself in each other. I recall:



‘Peace is the state of distinctness without domination, with the distinct participating in each other.’
(Adorno, ‘Subject and object’, in The Essential Frankfurt School Reader, ed. Andrew Arato and Eike Gebhardt (Oxford: Blackwell, 1978), 497–511 (p. 500).)
A quote DC finds 'always brings a lump' to his throat.
Can we find the altar of our lives in our interactions and treat each unfolding moment be it a joy or a challenge as a sacred theatre? Even if I fail in this aspiration is the holding of and returning to it not an altar? Without the failing there would be no challenge and no meaning in the aspiration. Can I remember to keep returning to the precepts? I can given time. I can't all the time. Each time drama unfolds it takes me time to work it through, to gain insight into what has been brewing. I need to stay with it yet not become it. The place holding this is the altar and the drama is the offering. When at last I see it, there is the heart mind.
Small 'altars' integrated into (physical) items of daily living:

Music is a great pointer to spirit


Nature inside and out


Unfolding in time; growing and flowering before passing


Confetti angels with trumpets - my dear friend always puts them in his cards to me 





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