Twice in recent days I've been near the sea and her song. Once in the darkness of a moonless night with a storm way off out to sea so that although it is calm on land the waves roll heavy onto the shore, roaring in from the horizon. And once in the day when less dramatic, the waves seem moody and hint at the feminine; the sea full of subdued emotion and pointing at the sublime. At the shore we sense the amphibian and this stirs our own longing; form and emptiness, separate yet one, longing to make yet longing to return home to merge back in; on in. Shall we approach this longing as in internal journey or an external one; foolish to draw distinction, naive not to know the difference. Beware the siren's call and yet... But the song on that moonlit night was less of the siren and more of the sea; both the sea I could see and the sea I could feel...
A while back I took these pictures (click to enlarge):
Is it a person; blue hat, red coat, stick aloft?
Sculpture - arm raised, red sleeve stick in hand
Less like a person viewed from the side
Then more recently:
a Viking in cashmere sitting next to its maker
The photos reveal the need to make (and especially in representation of our own form). I see humour and warmth in these made things too. And while the waves of our made-ness pass by there is the faint sound of the sea; the sound of one hand clapping.